Some years ago, former-US President George W. Bush named The Very Hungry Caterpillar as his favourite childhood book. Unfortunately, it wasn’t published until he was 23 and fresh out of Yale. Still, while it’s not advanced post-graduate reading, it does have a perfect structure, from which we can learn a lot.
In this video, D.D. Johnston discusses how imagery is often the connecting point between subject and theme (for a reminder about subject and theme, see writing tip 71). He looks at Ian McEwan’s short story ‘Psychopolis’ and presents a weird theory about Magpies. Psychopolis is available here, starting on page 52.
In our last video, we considered the similarities between short stories and jokes. We said that, just like the punchline of a joke, whatever happens at the climax of a story is unexpected, but in retrospect seems obvious and inevitable. In this video, DD Johnston develops that idea and think about what it is that happens at the climax of most successful literary short stories. (We say ‘literary’ short stories, since in other genres the endings of stories can sometimes be more about plot resolution than character transition.)
In the run up to this year’s Online Writing Tips Short Fiction Competition, we’re doing a series of posts on short fiction. Previous videos have looked at beginning a short story. Today, D.D. Johnston begins to reflect on the importance of endings, and why short stories are like jokes.
In this video, D.D. Johnston discusses a classroom exercise that he uses to illustrate an important difference between short stories and novels.