In this video, D.D. Johnston discusses how imagery is often the connecting point between subject and theme (for a reminder about subject and theme, see writing tip 71). He looks at Ian McEwan’s short story ‘Psychopolis’ and presents a weird theory about Magpies. Psychopolis is available here, starting on page 52.
In our last video, we considered the similarities between short stories and jokes. We said that, just like the punchline of a joke, whatever happens at the climax of a story is unexpected, but in retrospect seems obvious and inevitable. In this video, DD Johnston develops that idea and think about what it is that happens at the climax of most successful literary short stories. (We say ‘literary’ short stories, since in other genres the endings of stories can sometimes be more about plot resolution than character transition.)
In the run up to this year’s Online Writing Tips Short Fiction Competition, we’re doing a series of posts on short fiction. Previous videos have looked at beginning a short story. Today, D.D. Johnston begins to reflect on the importance of endings, and why short stories are like jokes.
Following on from our last video, D.D. Johnston looks at the opening to a modern classic short story: “A Temporary Matter” by Jhumpa Lahiri. You can read the full story here: http://www.nytimes.com/books/first/l/lahiri-maladies.html
D.D. Johnston discusses James Purdy’s short story “Cutting Edge” as an example of how a seemingly insignificant conflict can make for high drama when it stands for something bigger. In “Cutting Edge” the question of a young man’s beard becomes the symbolic terrain on which an inter-generational battle is fought. The story is about moral values and the future of America, but all of this is left unsaid, lurking below the water – after all, when people argue they rarely refer explicitly to what they’re really arguing about. In this sense, Purdy’s short story can be said to demonstrate Ernest Hemingway’s “Iceberg principle.” You can read the full story here.