Choosing your point of view: when to write in the first person (tip 40) Reply

Many of us begin writing in the first person, often without considering whether it’s the best point of view for our story. So here’s a link to a test that can help decide whether first person is right for you. And here, in the video below, you’ll find D.D. Johnston’s reflections on meeting Richard Ford, and on when writing in the first person is and isn’t a good idea.

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Concentrate on the quieter human eddy Reply

If you’re struggling to write the big dramatic moments – the battles and deaths and marriages – maybe you need to approach them from a distance and focus instead on the quieter moments. To borrow a phrase from Richard Ford, maybe you need to ‘concentrate on the quieter human eddy.’

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‘Write what you know.’ Really? Reply

This week we’re looking at selecting material for writing fiction. Writers are often told to write what they know, but what does that advice mean? The video ends with a writing exercise to practice the skill of writing what we don’t know – or what we’ve only just learned about.

Zoe Heller on ‘Write what you know’
Nathan Englander on ‘Write what you know’

Writing exercise: Choose from the following list of places somewhere you’ve never been and write a detailed description of what a character experiences as she or he travels through this location.

The harbour of Rio de Janeiro, Brazil
Aabpara Market in Islamabad, Pakistan
The Cuillin Mountains on the Isle of Skye, Scotland
The Riverfront in St Charles, Missouri, United States
Brick Lane in London, England
Namakunde, Angola
Dalton Post, Yukon, Canada
Keleti Railway Station, Budapest, Hungary

If you want to make it harder, change the date; for instance, try to describe the location as it would have been in 1982 or 1956.
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