Having talked previously about when you should and shouldn’t write in the first person, in this video D.D. Johnston considers dramatic irony and how you can add complexity by using a peripheral narrator or an unreliable narrator.
In this video we identify four possible relationships between narrative time and story time. You will probably use them all, and how wisely you move between them will in part determine the strength of your writing. As an example, we look at how Zoe Heller paces Barbara’s first encounter with Sheba in Notes on a Scandal.
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